Showing posts with label Blaze Bayley. Show all posts
Showing posts with label Blaze Bayley. Show all posts

Wednesday, March 7, 2018

Blaze Bayley - The Redemption of William Black (Infinite Entanglement Part III) (2018)

So after about 2 years and 3 records, we are finally putting an end to Blaze Bayley's epic sci-fi saga about William Black and his fight to redeem himself from all the awful things he has done throughout his life time. It has certainly been a fun ride conceptually, but musically, it has been kind of a mixed bag so far. The first album grew on me as time went on while the follow up was okay, but not more, so I had My hopes on that Mr. Bayley would save his best for last, and bring an epic ending to his trilogy.

Now, I did not really expect anything that was wildly different from the previous two outings, and I did not get it either. It is perfectly clear that this album belongs together with its brethren, having the same type of themes and sounds that we experienced in previous albums. Actually, there is probably a chance that they recycled riffs and beats as well, because it all sounds so similar. It definitely connects the album together in a very effective way, but it would have been nicer if each record had more of an own personality, maybe representing a phase of the story.

This makes "The Redemption of William Black" very familiar, almost too familiar since most of the same structures are used, so it is easy to mistake one song for another. In this album for instance, we have a new "Escape Velocity" in "Prayers of Light", a new "Stars Are Burning" in "18 Days", and a new "Human" in "Redeemer". Not all songs in here are copy cats, but none really stands out extremely from the rest (except for one, but we will get to that later).

One thing that this album does have is some more heavy tones, which does make sense with what the story is going for, and we get a lot more from the guys behind Blaze in here. Guitaris Chris Appleton shreds his ass off in this album, especially "The Dark Side of Black" and the solo in "Immortal One", but also puts in some gentler moments as well to weigh it all up. Drummer Martin McNee and Bassist Karl Schramm (whom just like Chris is from the band Absolva) both do a splendid job as well, making this record the best performed one of the three. We also get some nice guest work in the album as well from Chris's brother Luke Appleton, Liz Owen, a bunch of backing vocalists and narrators, and also Fozzy's own Chris Jericho, who really seem to fancy these sci-fi concept records.

There is still no problem in finding some personal song favourites in here, at least one or two will make its way towards your liking fairly easily. The catchy nature of "Redeemer", "Are You Here", and "Prayers of Light" is a nice fix, while those who like more heavier stuff should check out "Immortal One" and "The Dark Side of Black". Then we have the epic finisher "Eagle Spirit" that takes the saga to a very emotional and satisfying conclusion, one that leads William Black to the stars, for his final journey.

So what do we ultimately make of Blaze's "Infinite Entanglement" trilogy? While it might not contain the musical quality to really bring forth a grand following, I do think the story and the heart and soul that Blaze has put in this project is incredibly impressive. It is a huge job to finalize a multi album concept like this in such a short time, and fans of Blaze should really give all of their love to him. Individually, these three album are fine, not brilliant in any way, but together they create an epic experience that is thrilling from start to finish, a perfect binge listen (around 2 hours and 20 minutes), all three albums in one go, creating an epic sci-fi saga that is more than meets the ear. So thank you Blaze, and god speed to you William.

Songs worthy of recognition: The Dark Side of Black, Are You Here, Eagle Spirit

Rating: 6,5/10 Human Eyes ("Infinite Entanglement" trilogy as a whole gets 7,5/10)

www.blazebayley.net/
twitter.com/realblazebayley

More reviews of Blaze Bayley
Infinite Entanglement
Endure And Survive

Wednesday, March 8, 2017

Blaze Bayley - Endure And Survive (Infinite Entanglement Part II) (2017)

It has been a full year since Blaze Bayley unleashed the start of his sci-fi concept trilogy "Infinite Entanglement", so obviously it is time to present part 2 of this epic saga. It is an album that I have been waiting for, especially since I really enjoyed the first part, and did more so over time (if I would review it today, my rating would probably be higher than what I gave it at the time of its release). After also attending a live show in which the whole album was played, I was more than ready for the second part of the trilogy.

So obviously, "Endure And Survive" takes off where we left off in "Infinite Entanglement", with our protagonist William Black, seemingly a slave under the... what ever the bad guys are called. Anyway, William escapes his predicament, and starts his search for a safer place where he can relax and find out more about his past. Well, that is what I can get out of the album, and it is a reasonable continuation of what we were told in the first record. Nothing all too original, but interesting enough to make me invest in the album and the coming third part.

However, this is a music album after all, and it starts off strong with the title track, a classic Blaze song with a nice drive and an easy, epic, and sing along friendly chorus. That is followed by "Escape Velocity", another fast one that really gives emulates the break away that William Black is performing in the story. The third song, "Blood", is also nice, a really dark song that tells of our protagonists dark past, although I feel like the chorus here is kind of weak, not getting the impact the grim nature of the song needs.

And that is probably the key word for the album as a whole, it is weak, not utilizing its moments to its full potential. "Endure And Survive" is most certainly a calmer album, nothing wrong in that, but the song writing here just does not hit it at all, just ending up being, well, weak. Out of the slower songs, "Eating Lies" is the only one I feel is getting the emotions right, with some great guitar work by Chris Appleton, while songs like "The World Is Turning The Wrong Way" and "Together We Can Move The Sun" are just bland and boring, and "Remember" sounds like some throwback to a bistro in 1930's France. None of them adds anything useful to the album, except for some elements to the story.

The main problem ends up being that this album is not as memorable as "Infinite Entanglement". The song writing is more basic, the choruses are not as catchy, and the variety, while decent, is not anywhere near its predecessor. It is truly a shame, because I know that Blaze is putting his heart and soul into this trilogy, and the backing band Absolva helps out a lot too, but it all just miss something spectacular, something spicy, something really exciting. Fortunately, we have a few songs to lean back on, like the 4 first songs and "Dawn of The Dead Son", a song in the middle of the album that has a really nice rhythm and some cool vocal work.

So no, "Endure And Survive" does not match the quality of its predecessor, but it does serve its purpose, continuing the story to its second peak, before a grand finale that will probably be released in 2018. While this record has its weak moments, it still has some nice work in it that should not be missed, holding it just above the line of mediocrity. It is a little like the "Hangover" trilogy so far, the first one being entertaining, while the second part had more of the same, just not as good. Let us all just hope that the third part is not of the same "quality".

Songs worthy of recognition: Endure And Survive, Escape Velocity, Dawn of The Dead Son

Rating: 6/10 Bloods

www.blazebayley.net/
twitter.com/realblazebayley

More reviews of Blaze Bayley
Infinite Entanglement
The Redemption of William Black

Saturday, October 8, 2016

Live review: Huskvarna Rock & Art Weekend

In the small town of Huskvarna, just a few kilometers outside of Jönköping, there was a party happening at Folkets Park. Some of the best tattoo artists from all of Sweden and even Europe would be summoned, to a weekend of tattoos, music, and booze.

That is pretty much all you need to know about Huskvarna Rock & Art, a tattoo convention and music festival combined, creating a beautiful symbiosis between two amazing cultures. This was my first time going, and it was quite a good timing, because the even has expanded, including more tattooers and allowing the music acts to perform on a proper stage, instead of a rather small one inside the convention hall. It was a cool feeling going through all of the booths, hearing the humming of all tattoo machines doing their work, and looking at all the art that was created. It certainly gave me a urge to get one myself, but since I had no clear idea of what I wanted, I passed.

But that is not all, other stuff in the hall was being sold as well, mostly related to metal and tattooing of course. CDs, vinyls, merch, steel necklaces, paintings, tattooing equipment, and a whole lot of other stuff too. Needless to say, you could easily get busty without getting under the needle, and I purchased 4 new albums to my collection. Iron Maiden "The X Factor", Dio "The Last In Line", Stormhold "Battle of The Royal Halls", and Kotipelto "Waiting For The Dawn".

Then we have the shows, all of them happening on Saturday (except for some acoustic sets that was played in the convention hall from time to time) in a special venue called Teater Ladan (The Theater Barn), and the line up was pretty good, knowing how small this festival was. There was a total of seven acts performing, and I got a glimpse of all of them. However, I will not review all of them, since I did not spend my full time on all performances. I only got a small peak of the cross over thrash band Negative Self and the black metal band Mordant, mostly because it was not my (and my pals') type of music. I did get a good look of the remaining 5 acts though, so here are the reviews of their shows.

Stormhold

First band out was Stormhold, a power/heavy metal band from around my neck of the woods, Värnamo, and also one of the main reasons to why I went here in the first place. I have always wanted to check this band out live, but never really gotten the chance. Well, I was determined to not miss out this time, even if they played relatively early (15:45).

So how can I describe these guys? Well, imagine if Gloryhammer started playing a mix of Iron Maiden and HammerFall, and you might get a good image on what this band is. Here they come in, dressed in their own medieval gears, and starts playing passionately with their cool style of classic heavy metal and cheesy power metal. It works out really well, and the band gets a great response from the engaged, still relatively small, audience. Sing alongs were loud, the showmanship was top notch, and they really gave it all they had.

Stormhold, bringing up a storm... hold
Most of their set list is based on their only released studio album, called "Battle of The Royal Halls", that was released last year, and it is a really nice album, with catchy melodies and cool riffs. We also got a sneak peak of what would come, a new song called "The Stranger" was played from their upcoming album, and it certainly got some good response as well. It will be interesting to see what these guys can do in the future, and judging from their performance, it is a bright looking one. Go check them out now if you have not already! Here is a good place to start ---> www.stormhold.se/

Best: Legions of The Brave

Worst: Their time slot was too early, otherwise nothing really

Rating: 8/10

Setlist

Battle of Royal Halls
The Final Decision
Legions of The Brave
Fear Your Death
The Stranger (brand new song)
Stormhold

Absolva

Absolva is a British band that was formed in 2012, and while they are still in an early stage, they have came some way already, like being the band who backs up Blaze Bayley. Their style is more or less classic modern heavy metal. No fuzz what so ever, it is straight on and in your face.It may not be the most original style out there, but it works if you have enough passion and song writing skills.

While I have close to no clue about this band before watching them (hence why no set list, sorry), I really did not expect anything from them. What I got was a band that was filled with adrenaline, never stopping and just being overly active, like they all had ADD. While most of the guys handled it quite well, I do think that the singer Chris Appleton took it a little too far, being off pitch here and there. But hey, who can really blame him, we was really excited to play his first real gig with his band in Sweden.

Literally the only non-blurry picture I could get of Absolva
Overall, the music certainly kicked ass. It is a type of music that works really well in a live setting, inviting to sing alongs, and gives room for the band to unleash hell. I really have to give some extra credit to the drummer Martin McNee, who was a god damn machine, delivering in every beat and even doing a pretty sweet, and not too long, drum solo. So job well done from the guys of Absolva, a band I will certainly be looking out for in the future.

Best: The passion of the entire band

Worst: Me, for being unprepared

Rating: 7/10

Sorry, could not find a set list here :(

Skitarg

Okay, so this is not really a review, but more of a rant, because I simply cannot take Skitarg (Swedish for pissed off).

First off, for those of you who do not know of this band, consider yourselves lucky. They can easily be best described as a Swedish version of Insane Clown Possy, because they are all clowns, and they are all out of their fucking minds. The music is kind of good, some cool melodies here, some catchy choruses, and some sweet riffs, but it is the overall image of the band that just makes me sick to my stomach.

Most of the band's lyrics relies on filthy, sexual, childish things, like finding brown treasures, supporting abortion, slaughtering dog owners, and breaking the necks off horses (all sung in Swedish as well). This is seriously disgusting, and I cannot take it in CD form, even less in a live setting.

Bring out... THE CLOWNS
I gave it a chance though, watching a couple of their songs, but seeing both of the singers, one having no pants and the other only wearing what could be best described as something German Tarzan would wear, them LITERALLY fucking each other, and then shooting their fake splooge over the audience. Sure Rammstein does this too, but they mix it up with cool stuff, like fire and shit, but seeing this being done by clowns is seriously nightmare inducing. So nope, nope, nope, nope, and more nope, this simply is not for me. It is something for someone else, but not me.

No setlist here either, because screw that.

Blaze Bayley

Despite not going on last, Blaze Bayley was the sole reason to why many of the visitors bought their tickets, because it seems like Huskvarna really love the former Iron Maiden singer. This is his third time performing on this event, and not only that, he really made sure this would be a special show for everyone here. For the first time ever, the whole "Infinite Entanglement", Blaze's latest album and first part of a trilogy concept, would be played live, and recorded for an upcoming live DVD.

I can totally see why Blaze chose Huskvarna for this grand event, because the crowd really do love him to death. The sing along was loud and clear from the get go when Blaze entered the stage with "Born As A Stranger", and it only grew louder and stronger with the following two songs, "The Launch" and the Iron Maiden song "Futureal". So a good start to the show, right? Well, it would have been, if it had not stopped all of a sudden after that. The lights died, Blaze came back on stage to thank a lot of people for making this show possible, and asked for a 5-10 minute break. I was really confused, and a couple of my friends even left for a moment to get a quick beer. I was fortunate to get a quick word with Blaze after the show, and he said that it just died, nothing like this was planned.

So yeah, a set back that certainly killed the mood, but it did give a good opportunity to present the main act of the show, the "Infinite Entanglement" opera. I really was not sure this was going to work all too well, because while the album is a good one (one that I enjoy more now than on the day I did the review), I was worried that Blaze would not get the audience along for the entire ride. Fortunately, I was wrong.

Scream for me Huskvarna!!!
To help Blaze out with this massive project, we of course had his backing band (whom consists of 3/4 of Absolva), we had voice actors who would act out the story of the record between the songs, a opera choir, Thomas Zwijsen on acoustic guitar, and Anne Bakker on the violin. So this was quite an arrangement (especially since the stage itself was not the largest I have seen), and it worked out really well, giving a whole new life to the album and its story. And my biggest concern seemed to be overly exaggerated, because the audience was as loud as ever this time too, singing along on every chorus
that Blaze threw at them.

The show was not over after that, it continued with a couple of more songs from Blaze's career, the highlight being the final two songs. First we have "Man Hunt", the only Wolfsbane song on the set list. In a live setting, it is a fantastic song, with a chorus that is cheesy, but so god damn fun to sing. Just hearing and singing the "Man Hu-hu-hu-hu-hu-hu-hunt" is fun in itself. But it does not stop there, because during the solo part, the guitarist (which is also the singer of Absolva) goes buck wild and starts pushing Blaze away, starting a insane solo part where every part of the backing band is in. It is fast, insane, and incredibly fun. I usually hate it when the instrumental part drag out for too ling, but this was just so god damn ridiculous. A rebellion that was extremely enjoyable.

The last song was, not surprisingly, Iron Maiden's "Man On The Edge", but this was performed with every artist who was in the opera, which made it a little more special, and it was also the ultimate showing of Thomas Zwijsen's mad guitar skills. Even if he played acoustic and Chris Appleton played electric at the same time, I could actually hear Thomas, and my god, what a shredder he is. Seriously, go check him out on his YouTube, where he is most famous for his covers of Iron Maiden songs (called Nylon Maiden), a great musician in general.

So yeah, this was quite a 2 hour show, one that exceeded my expectations by miles, even with the technical difficulties in the beginning. I am excited to see the upcoming DVD, see if I am in it :)

Best: The whole opera and "Man Hunt"

Worst: That sudden break was a real bummer

Rating: 9/10

Setlist

Born As A Stranger
The Launch
Futureal (Iron Maiden song)

Infinite Entanglement opera (performed with voice actors and opera singers)

Infinite Entanglement
A Thousand Years
Human
What Will Come (with Thomas and Anne)
Stars Are Burning
Solar Wind
The Dreams of William Black (with Thomas and Anne)
Calling You Home
Dark Energy 256
Independence
A Work of Anger

Stare At The Sun
Virus (Iron Maiden song)
Blood And Belief
Man Hunt + instrumental rebellion (Wolfsbane song)
Man On The Edge (Iron Maiden song, with all participating artists)

Hardcore Superstar

The Blaze show took a lot of energy out of me, and close to everyone else, so it was no surprise that the Hardcore Superstar show was not nearly as energetic, even if the band tried everything they could to get the party started, and they succeeded... to some extent.

The setlist was very varied, having songs from nearly every album the band has made, so old fans of the band were of course pleased with it. Me? Well, it is kind of weak, but that could be because I am not a huge HCSS fan. I am most critical over the end of the setlist, ending it all with "Above The Law", one of their most boring songs. Jesus Christ, if people was not ready to go to bed before, they were surely now.

The band still have some killer songs though, and most of their big hits, like "Dreamin' In A Casket" and "We Don't Celebrate Sundays", got some great response. My personal favourite though, "Last Call For Alcohol", got an even bigger treatment. All of a sudden, a big bar is rolling into the stage, ready with Jägermeister and beer, and since the band is so generous, they invited up some of the audience up for a drink. And like that was not enough, the drummer was brought forward, because it was his birthday. So you all know what that means, birthday sing along!

Yes, I'll have a Jägerbomb please
So in the end, a nice ending to a night of metal, but I still think that Blaze should have had the honor of closing it out. A pretty decent desert that did not taste quite as good as the entree.

Best: Last Call For Alcohol

Worst: "Above The Law" as the closing song? Really?

Rating: 7/10

Setlist

Hello/Goodbye
Touch The Sky
Liberation
My Good Reputation
Dreamin' In A Casket
Silence For The Peacefully
Someone Special
Punk Rock Song
Last Call For Alcohol
We Don't Celebrate Sundays
Moonshine
Dear Old Flame
Above The Law

Stay Metal!
Robert "Sharkruisher" Andersson

Tuesday, March 22, 2016

Blaze Bayley - Infinite Entanglement (2016)

The former Iron Maiden singer Blaze Bayley is going sci-fi with his new installment "Infinite Entanglement", which is actually not the first time he has done just that in his solo career. In fact, Blaze himself has stated that this album indirectly follows on his earlier works, such as "Silicon Messiah" and "Tenth Dimension". Still, "Infinite Entanglement" is a concept album on its own, about a man in the future who is a part of a grand experiment, in which he questions his own humanity. Is he human, or is he not? Well, if the protagonist is the same dude that fronts the cover art, then I would say he looks like Blaze, only sleeker.

But I digress (as usual), so lets focus on the artist himself. I have always liked Blaze, he seems cool and he has a unique and recognizable voice, but the song writing is not exactly his sharpest weapon. He can absolutely create some decent tunes, but it rarely holds up throughout a whole album. His last solo album, "The King of Metal", is a good example of that, it has a couple of good songs in the title track and "Dimebag", but the album in its whole is quite mediocre.

So I am glad that this album holds up pretty well. I would not say that "Infinite Entanglement" blows me away, but it is one of the more consistent Blaze records I have heard, with each song staying within the frames of the concept. It did surprise me though that this album has a lot of resemblance with Blaze's Iron Maiden material, especially "Virtual XI". The melodies, the guitar work, the choruses, yes, almost everything makes this album the follow up to "Virtual XI" that never saw the light of day. I really do not know if it is a good or a bad thing that Blaze still clings on to his glory days, but it sounds good, so I really do not mind too much.

Although I find the story and the lyrics to be fairly bland, it is nicely fitted into the album, without taking over in any way. It is the music that stands in the spot light, as it should be, and it does happen that it shines here and there. "Human" has some nice heaviness, "A Thousand Years" is a great sing along track, "Calling You Home" has a sweet solo, and "What Will Come" is a nice ballad. And then we have "Dark Energy 256", or as I like to call it, "Futureal 2.0". Do not think anything more needs to be said about that track.

While "Infinite Entanglement" does contain some neat tracks, the overall impression that I get from the album is... it could have been better. I definitely like this album, it is a neat experience through time and space, but it could have been a lot more dynamic and exciting. Some more power, a little more contrast, and a better concept would have made this record one of the best solo records in Blaze's career. Now it just sits there, flying through hyperspace, thinking of what it could have been. A nice effort Blaze, but I know you can do better.

Songs worthy of recognition: A Thousand Years, Human, Calling You Home

Rating: 6,5/10 Solar Winds

www.blazebayley.net/
twitter.com/realblazebayley

More reviews of Blaze Bayley
Endure And Survive

The Redemption of William Black