It has been three years since the Americans in Astronoid graced us with what I still consider to be one of the best records of this decade, their 2016 debut "Air". It is an album that gave us a whole new angle on what metal can be, an album that simply cannot be described under a single genre or style. Yes, "Air" is truly special, so the expectations for the follow up are obviously high. I mean, how can you continue from an album that is close to flawless? Can you catch lightning in a bottle again? And most importantly, why the hell did you go the lazy route and let your sophomore effort be self titled? A lot of questions that will hopefully be answered.
From the get go, the band continues on what they did in "Air" and implements it into "Astronoid", not showing any real steps forward in their own evolution progress, which I am totally fine with. This is after all only their second album, and I both expected and wanted more of that sweet and light sound that only they could make. Brett Boland brings out all of the emotions with his soft vocals, Casey Aylward and Mike DeMellia twists and turns around the melodies with their guitars, and Matt St. Jean goes bananas behind the drum kit, creating a mish mash of sound waves that weirdly enough go together, kind of like mac and cheese. The band feels like they are in their right elements, and enjoyment is at its highest levels.
That continues on throughout the first half, and just when you think if the band even bothered to change anything from their winning formula, the band actually makes some changes around half time, like they are Bill Belichick or something. It starts off easy with "Water", a song that is not too far off from what we are used to with the band, but the guitars are a little louder and heavier, and the drums have more impact on every hit as well. It is a striking song that sets off a second half that converts "Astronoid" from being a safe repeat, to a pure statement.
The heavy attitudes continues in "I Wish I Was There While The Sun Set", but while the instruments have gotten slightly more aggressive, the light tone of the band is still there, mostly thanks to Brett and his humble vocals. Without those, I could absolutely see the middle part of this song fitting right in with what Strapping Young Lad was doing (that double bass is infectious as hell). The album ends with another heavy hitter in "Ideal World", and just like with "I Wish...", the juiciest bit is in the middle, a great instrumental bit that will send heads flying everywhere.
Despite these heavier tracks, "Astronoid" could still be seen as a mere continuation of "Air" because there are so many familiar elements in here, and while that assumption is not wrong, it is kind of twisting the truth just slightly. To me, I feel like Astronoid do not need to change all that much, they just have to change enough to keep people's interest. They have a clarified sound, so it is up to them to just execute it as good as possible, and add some tweaks here and there. There is no doubt though that they have all the tools to keep succeeding. One thing they should change though is whoever is in charge of their album covers. "Air" was nice, but this one is just flat out boring. Besides, it looks like the band is called Ast Ron Oid here. Come on man, step it up.
So yeah, "Astronoid" might not be that much different from "Air", but it is still a heavenly effort that just makes you happy. In a world were bad news is common, we simply need these light albums that can bring anyone's spirit up, just to get that feeling of serenity. This band is unique as hell, and it does not matter what you call this band, whether it is black metal, shoegaze, blackgaze, or enlightenment metal, they just cannot be described by a single genre, they are simply Astronoid, a band everyone should experience in some way or form, and if you have not already, I highly suggest you do it right now.
Songs worthy of recognition: I Wish I Was There While The Sun Set, I Dream In Lines, Fault, Water
Rating: 9/10 Ideal Worlds
http://www.astronoidband.com/
https://twitter.com/Astronoid_Band
More reviews of Astronoid
Air
Showing posts with label Astronoid. Show all posts
Showing posts with label Astronoid. Show all posts
Sunday, February 3, 2019
Thursday, July 7, 2016
Astronoid - Air (2016)
There is no secret that one of my favourite albums of all time are the Devin Townsend release "Ocean Machine: Biomech", a cleansing album that was the Yin to the Strapping Young Lad Yang. Ever since its release, there has been no album that has even come close to the emotions that this album brought out, while also maintaining the genius musicality that was contained inside of it. However, I think I might have found the spiritual successor to "Ocean Machine", and it comes from a completely new band.
Astronoid started out in Boston, Massachusetts in 2012 when vocalist/guitarist Brett Boland and bassist Daniel Schwartz recorded 2 songs for a school project, a EP that would be named "November". They put up those two songs on bandcamp, and before they even knew it, they were the talk of the metal underground, gaining a lot of recognition in a short amount of time. They eventually released a second EP called "Stargazer" in 2013, recruiting guitarist Casey Aylward and drummer Matt St. Jean in the process. A third guitarist, St. Jean's cousin Mike DeMellia, was later added for the live shows, bringing a whole new dynamic to the music. Now, three years later, they stand here with their full length debut entitled "Air".
Astronoid can easily be placed in the genre shoegaze (or as some call it, hipster black metal), but placing these guys in a genre would not do them justice. Instead, one should look at their influences to get a better grip of who they really are. Some influences are Mew, Cynic, Enslaved, Ihsahn, Alcest, and of course, Devin Townsend. A big bowl of different styles for sure, but they are all connected to each other in some way or another, so it is no wonder why Astronoid has evolved to what they are now.
Now, let us get into "Air" itself, and back to the "Ocean Machine: Biomech" comparison. Both albums starts off with a slow, but still chunky song that sets the tone for the rest of the album. But is is the second, more joyful song that blows you out of the water in both albums. "Up And Atom" might be taken from Radioactive Man's catch phrase, but it contains a fantastic opening riff that sets the rest of the instruments off in a crazy, but still very controlled way. It is unreal to listen to it, it is so heavy, yet so light, and it is a feeling that runs through "Air". The album is filled with blast beats and frantic riffs, but the band manages to keep it all down to Earth. The perfect example of this is on "Resin", where the complete insanity is mixed with the beautiful vocals of Brett Boland, creating a dream like state that is just magical.
The performance is most certainly spectacular, but it is in a quiet way, never taking away too much from the music itself. There is some really technical pieces here and there, but they really do not stand out as much as it normally would, and I am loving it. The band wants the music to be in the center of attention, mediate strong emotions, not show off their skill set on humongous solos. This naked style is refreshing, giving the experience so much life. And for those wondering, yes, there are solos on this record, but they are not forced in, they instead add to the music, just like a solo should do.
It should also come as no surprise to you that this album is best experienced in one full sitting. Yes, each song are fantastic, some of my favourites being "Resin", "Tin Foil Hats", "Up And Atom", and the title track, but I can almost guarantee you that the high will be so much greater if you go through with it, taking all 50 minutes of music into you. It just feels so accomplishing to take in "Air" and all its beautiful heaviness. That is also the only real complaint I have about the album, 50 minutes is for sure a fair length for an album, but I want more. I cannot stop here, I must have more, more, MORE! Jesus, I have to admit, this is pretty addictive, can somebody give me a "Air" patch so we can close out this review?
2016 has turned out to be an amazing year, especially for newer artists out there. I was sure that no other newcomer would come and knock off King Goat's "Conduit" or Sunburst's "Fragments of Creation", but Astronoid squeezes in to create a holy triforce of rookie goodness. "Air" is an amazing album, blending heavy beats and riffs with epic emotions, creating a entity that is so easy to take in, and even easier to love. I am so happy that someone finally have made that spiritual successor to "Ocean Machine: Biomech" that I have been dreaming about for years, and the best part is that these guys are not done yet. If they keep this up, they will have a long and successful career ahead of themselves. Thank you so much for this Astronoid, I look forward to see what you guys will come up with next.
Songs worthy of recognition: Every god damn song
Rating: 10/10 Tin Foil Hats
Now, go check out the band on the following sites. What are you waiting for? DO IT NOW!
http://www.astronoidband.com/
https://blood-music.bandcamp.com/album/air
https://twitter.com/Astronoid_Band
More reviews of Astronoid
S/T
Astronoid started out in Boston, Massachusetts in 2012 when vocalist/guitarist Brett Boland and bassist Daniel Schwartz recorded 2 songs for a school project, a EP that would be named "November". They put up those two songs on bandcamp, and before they even knew it, they were the talk of the metal underground, gaining a lot of recognition in a short amount of time. They eventually released a second EP called "Stargazer" in 2013, recruiting guitarist Casey Aylward and drummer Matt St. Jean in the process. A third guitarist, St. Jean's cousin Mike DeMellia, was later added for the live shows, bringing a whole new dynamic to the music. Now, three years later, they stand here with their full length debut entitled "Air".
Astronoid can easily be placed in the genre shoegaze (or as some call it, hipster black metal), but placing these guys in a genre would not do them justice. Instead, one should look at their influences to get a better grip of who they really are. Some influences are Mew, Cynic, Enslaved, Ihsahn, Alcest, and of course, Devin Townsend. A big bowl of different styles for sure, but they are all connected to each other in some way or another, so it is no wonder why Astronoid has evolved to what they are now.
Now, let us get into "Air" itself, and back to the "Ocean Machine: Biomech" comparison. Both albums starts off with a slow, but still chunky song that sets the tone for the rest of the album. But is is the second, more joyful song that blows you out of the water in both albums. "Up And Atom" might be taken from Radioactive Man's catch phrase, but it contains a fantastic opening riff that sets the rest of the instruments off in a crazy, but still very controlled way. It is unreal to listen to it, it is so heavy, yet so light, and it is a feeling that runs through "Air". The album is filled with blast beats and frantic riffs, but the band manages to keep it all down to Earth. The perfect example of this is on "Resin", where the complete insanity is mixed with the beautiful vocals of Brett Boland, creating a dream like state that is just magical.
The performance is most certainly spectacular, but it is in a quiet way, never taking away too much from the music itself. There is some really technical pieces here and there, but they really do not stand out as much as it normally would, and I am loving it. The band wants the music to be in the center of attention, mediate strong emotions, not show off their skill set on humongous solos. This naked style is refreshing, giving the experience so much life. And for those wondering, yes, there are solos on this record, but they are not forced in, they instead add to the music, just like a solo should do.
It should also come as no surprise to you that this album is best experienced in one full sitting. Yes, each song are fantastic, some of my favourites being "Resin", "Tin Foil Hats", "Up And Atom", and the title track, but I can almost guarantee you that the high will be so much greater if you go through with it, taking all 50 minutes of music into you. It just feels so accomplishing to take in "Air" and all its beautiful heaviness. That is also the only real complaint I have about the album, 50 minutes is for sure a fair length for an album, but I want more. I cannot stop here, I must have more, more, MORE! Jesus, I have to admit, this is pretty addictive, can somebody give me a "Air" patch so we can close out this review?
2016 has turned out to be an amazing year, especially for newer artists out there. I was sure that no other newcomer would come and knock off King Goat's "Conduit" or Sunburst's "Fragments of Creation", but Astronoid squeezes in to create a holy triforce of rookie goodness. "Air" is an amazing album, blending heavy beats and riffs with epic emotions, creating a entity that is so easy to take in, and even easier to love. I am so happy that someone finally have made that spiritual successor to "Ocean Machine: Biomech" that I have been dreaming about for years, and the best part is that these guys are not done yet. If they keep this up, they will have a long and successful career ahead of themselves. Thank you so much for this Astronoid, I look forward to see what you guys will come up with next.
Songs worthy of recognition: Every god damn song
Rating: 10/10 Tin Foil Hats
Now, go check out the band on the following sites. What are you waiting for? DO IT NOW!
http://www.astronoidband.com/
https://blood-music.bandcamp.com/album/air
https://twitter.com/Astronoid_Band
More reviews of Astronoid
S/T
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